DOUBLE TAKE – SILENT NIGHT, DEADLY NIGHT (1984) / SILENT NIGHT (2012)
December 22, 2015
To me, the key to a truly great “remake” of a pre-existing horror film is simple. Would the new update make a good double feature with the original movie? When it comes to programming a double bill, the goal is to find two movies with a similar theme that would complement each other. And there’s no better test to see if a remake works than by watching it back to back with its inspiration and seeing if it respects its source material and tells a similar enough story, yet does its own thing. Each week, we’re going to pair up two horror films – its original and its remake as a double feature and see if it makes for a great double bill. Welcome to Double Take!
When it comes to holiday horror, there’s not a whole lot to choose from. OK, maybe there are plenty of choices, but none of them are exactly “classics” a la the original BLACK CHRISTMAS. But on the other side of the spectrum, some horror titles defy all classification just by being so bat-shit crazy and outside of the norm. SILENT NIGHT, DEADLY NIGHT is one of those notorious cult movies. In all honesty, the original SILENT NIGHT was a film I came to appreciate a few years back when Fangoria spearheaded a theatrical re-release. The lunacy of this film finally made sense once I experienced it with an enthusiastic, horror-loving audience. As a kid, I was always put off by the extremely mean-spirited nature of the flick and always preferred SILENT NIGHT, DEADLY NIGHT 2. No, not because it’s “so bad it’s good,” a phrase I’m not very fond of, but because it edits the first movie into a much tighter paced movie, minus all the nastiness and then veers off in a radical, crazy direction with Ricky. It’s fun and thoroughly entertaining. But alas, that’s an article for another day. Let’s go back to the original!
Because of the theatrical poster and marketing campaign featuring an ax wielding Santa coming down the chimney, before SILENT NIGHT even opened, it was met with protests and backlash from angry parents’ rights groups for implying a killer Santa Claus. In actuality, the movie isn’t about Santa Claus becoming a killer, but killers (plural) throughout the course of the movie wearing Santa costumes as they go about their dastardly deeds. In the opening, a common criminal is on the run after having robbed a gas station. We’re introduced to 6 year old Billy, his infant brother Ricky and his two parents who promise that Santa is going to bring him a “big surprise” this year. They stop to visit Grandpa, who has remained catatonic for years until he springs to life in front of Billy when the boy is alone and gives him the ominous warning about Santa.
The disguised crook from the opening attempts to car jack Billy’s family car and that’s when his parents are slain – his father shot dead, his mother raped with her throat slashed, Billy hiding in the woods and baby Ricky crying in the car. It’s… pretty darned brutal! Years later, Billy and Ricky are now at a Church orphanage. Obviously, Billy has a problem with the holidays and Santa in general, and yet the evil Mother Superior continues to punish him for his drawings of a dead Santa and even goes as far as to try to make him sit on Santa’s lap. Listen, Mother Superior. You are well aware of how this kid’s parents perished. What you’re doing to him is just cold! Cold, I tell you!
On his 18th birthday, Billy for the most part has stabilized, and he gets a job at Ira’s Toys for the holidays. All is going well. Until their Santa Claus calls out sick and Billy is forced to don the costume and entertain children. Even then, things are fine. But when he catches one of his co-workers attempting to rape another, he is reminded of his mother’s death and immediately snaps and takes action by calling out “punish!” From that moment on, there’s no turning back and he goes on a murderous rampage all through town, which will eventually lead him back to the orphanage to take care of Mother Superior once and for all.
Again, the content of the movie is pretty mean-spirited, but Billy was forced into his situation by those around him, so I feel a great deal of sympathy for him, even though he becomes a crazed killer for the second half of the film. The kills are, at least, memorable considering this was the height of the “slasher” boom and competition for films to out do each other was fierce. The most notorious death befalls scream queen Linnea Quigley, who gets impaled on a set of deer antlers. Ouch! And while the movie outperformed A NIGHTMARE ON ELM STREET during its opening weekend, that’s the only time people got to see it theatrically as the controversy caught up to the studio and it was yanked out of theaters after the first week. It did manage to spawn 4 sequels – 2 official, 2 unrelated and a remake, the 2012 SILENT NIGHT.
SILENT NIGHT can be considered more of a sequel than a remake as it doesn’t really follow any of the plot, characters or beats of the original. But when it first went into production, the producers did in fact acquire the title “SILENT NIGHT, DEADLY NIGHT” intending it to be a remake of the infamous original, although initial drafts of the script proved to go far off track. Once Steven C. Miller came on board as director, he was able to tweak it and fill it up with plenty of call backs and references to the first movie. So while it’s a completely different movie and story, there’s still enough SILENT NIGHT, DEADLY NIGHT DNA in the final product to see it for the sequel/remake hybrid that it truly is.
There’s a killer on the loose in this small Midwestern town. He’s dressed in a Santa Claus outfit, but also sports a creepy transparent face mask to obscure his identity. It seems like he’s specifically targeting the “naughty” people of this community, but who is he? And why is he doing this? Leading the all-star cast is town Sheriff Cooper (the great Malcolm McDowell!) and his deputy Aubrey Bradimore (Jaime King from MY BLOODY VALENTINE 3D). Aubrey is still a rookie cop and trying to live up to her father’s legacy as a police officer. Donal Logue stars as Santa Jim, a begrudged drunk town Santa that’s telling the little kids how it really is, and also the prime suspect in the Santa killings.
The things the movie gets right? It has a really kick-ass looking, unique Santa killer. It’s radically different from its inspiration and offers a murder/mystery plot in terms of the identity of the killer. There’s some pretty nasty, over the top gory kill sequences and nods to the previous films including the crazy catatonic Grandpa scene, the death by deer antlers and even a “Garbage Day” reference! And the wood chipper death is pretty epic. It’s down side? Despite Christmas lights everywhere, people in Santa costumes and people dressed in winter attire for the entire movie, it just doesn’t feel like a Christmas movie. A big part of that is lack of snow, but for whatever reason, even without that, it just doesn’t feel right to me.
Do the two work together as a double feature? Yes, absolutely. But they don’t feel at all like they’re from the same franchise, even though technically they’re supposed to be. Also, I don’t consider either to be the best Christmas horror movies out there, but if you’re looking for a fun, if somewhat mean-spirited night of “slasher” mayhem, then this double bill will do the trick!
Blumhouse Archive
2017
- Throwback Video! THE SILENCE OF THE LAMBS Musical As Performed By Legos!
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- Throw Back Video: VIDEO WORLD, The Death of a VHS Store
- How Does One Build The “Perfect” Horror Anthology? One Segment At A Time!
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- THE PEOPLE UNDER THE STAIRS Remake That Almost Was!
2016
- Rob G.’s 6 Favorite Horror Shows Of 2016!
- Is This New MUMMY A “Horror” Movie… Or What?
- CANDLE COVE’s Creepy “Tooth Child” Originally Almost Debuted On HANNIBAL!
- We Chat With SiREN Director Gregg Bishop!
- Unseen Horrors: The Story Behind The Unmade LAST HOUSE ON THE LEFT PART 2!
- 6 MORE Horror Gems From The 2000’s You May Have Missed!
- Bill Lustig On His Love Of Movie Soundtracks!
- Rob G’s 6 Halloween Season Horror Discoveries!
- New Mini-Documentary Looks Back On Larry Fessenden’s HABIT!
- The One Thing Missing From Every HALLOWEEN Movie Except The Original
- BURIAL GROUND… The Bonkers Movie You Have To See To Believe
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- DOUBLE FEATURE: SLAUGHTERHOUSE / AXE!
2015
- Recommended New Year’s Horror Viewing: THE SIGNAL (2007)
- Interview With BONE TOMAHAWK Writer/Director S. Craig Zahler
- There Are 6 Ricky’s In SILENT NIGHT, DEADLY NIGHT PART 2. Which Is YOUR Fave?
- Giving #RESPECT To Mrs. Peltzer, GREMLINS Slayer
- DOUBLE TAKE – SILENT NIGHT, DEADLY NIGHT (1984) / SILENT NIGHT (2012)
- Rob G’s TOP 10 Horror Films Of 2015!
- This & Every Holiday Season, #RESPECT Goes To Murray Futterman
- Why THE CAR Is The Best JAWS Rip Off!
- One’s A Classic, One’s Sleazy Fun! This Week’s Double Take Is BLACK CHRISTMAS!
- The Shocking True Crime Case That Derailed FRIGHT NIGHT 3!
- Which Jerry Dandrige Is Your Kind Of Vampire?
- Showing Our #RESPECT To Peter Vincent, the Great Vampire Killer
- Welcome To FRIGHT NIGHT… The Double Feature… For Real!
- 5 Things To Love About KRAMPUS!
- #RESPECT – Rudy, THE MONSTER SQUAD’s Most Valuable Player
- DOUBLE TAKE – MANHUNTER (1986) / RED DRAGON (2002)
- #RESPECT – Patricia Tallman’s Barbara From NIGHT OF THE LIVING DEAD 90
- DOUBLE TAKE – NIGHT OF THE LIVING DEAD 1968 / 1990
- The Pre-Slasher Lunacy Of Scream Factory’s BLOOD & LACE!
- We Talk With APPLESAUCE Writer/Director/Star Onur Tukel
- CHARACTER SHOWDOWN – Who’s Your Favorite Wolfman?
- It’s Time To Give JASON GOES TO HELL Another Chance
- # RESPECT – Burt Wilson…. But Really Clu Gulager In Anything…
- DOUBLE TAKE – THE WOLF MAN (1941) / THE WOLFMAN (2010)
- A Look At Donald Cammel’s WHITE OF THE EYE
- CHARACTER SHOWDOWN – Who Was The Best Tommy Jarvis In The FRIDAY THE 13TH Series?
- #RESPECT – Tina Shepard For Kicking Jason’s Ass!
- 5 More 3D Blu-Ray Recommendations
- CHARACTER SHOWDOWN – Which Version Of Ash Is Your Favorite?
- 5 Must Own 3D Blu-Rays!
- #RESPECT – Why Uncle Red From SILVER BULLET Is A National Treasure
- DOUBLE TAKE – EVIL DEAD (1981) / EVIL DEAD (2013)
- The Rise & Fall Of EMPIRE PICTURES – An Interview With Documentarian Daniel Griffith
- 5 Things To Look Forward To In ASH VS EVIL DEAD!
- CHARACTER SHOWDOWN – The Importance Of Being Dr. Loomis
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- DOUBLE TAKE – HALLOWEEN (1978) / HALLOWEEN (2007)
- Character Showdown – Who’s Your Favorite Scary Ghostface?
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- DOUBLE TAKE – THE TEXAS CHAINSAW MASSACRE
- We Talk THE LARRY FESSENDEN COLLECTION With The Man Himself
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- Killer POV Pick Of The Week – ABBOTT & COSTELLO MEET FRANKENSTEIN
- We Talk TALES OF HALLOWEEN With TRICK Director Adam Gierasch!
- CHARACTER SHOWDOWN – Can There Only Be One Norman Bates?
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- #RESPECT – Why Rachel Carruthers Is HALLOWEEN’s Hero
- On The Set Of TALES OF HALLOWEEN With Actor Graham Skipper!
- Witches And Early Dark Art!
- DOUBLE TAKE – THE TOWN THAT DREADED SUNDOWN
- On The Set Of TALES OF HALLOWEEN With Nick Principe!
- BEYOND FEST 2015 WRAP-UP!
- On The Set of TALES OF HALLOWEEN With FX Artist Erik Porn!
- On The Set Of TALES OF HALLOWEEN With Neil Marshall
- When Freddy Met Jason… And Leatherface And Michael Myers
- On The Set Of TALES OF HALLOWEEN With Axelle Carolyn
- #RESPECT – Why JAWS Hero Chief Brody Is One Of Horror’s Biggest Badasses
- On The Set Of TALES OF HALLOWEEN With Mike Mendez!
- BEYOND THE BEYOND – We Talk Lucio Fulci with Bob Murawski!
- Terrance Zdunich on the set of ALLELUIA! THE DEVIL’S CARNIVAL
- We Have A “CANNIBAL” Music Chat With Sebastiaan Putseys of One Way Static Records!
- Saar Hendelman on the set of ALLELUIA! THE DEVIL’S CARNIVAL
- 5 Things We Want To See In The Next ‘NIGHTMARE ON ELM STREET’
- We Talk “Cannibal” Films With GREEN INFERNO Director Eli Roth!
- We Discuss CANNIBAL HOLOCAUST/FEROX With Grindhouse Releasings Bob Murawski!
- Behind-The-Scenes Of SLAYER’s “Repentless!”
- 5 Reasons You Need To Check Out THE SENTINEL!
- Killer POV Pick Of The Week – Bob Randall’s THE FAN